Flowers Against the Stereotype

Many a poet has drawn upon the delicate beauty of flowers for literary inspiration.  The softness of the petals.  The sweet fragrance.  Flowers thus lend themselves to being a symbol of femininity. (Also, notice how in our U.S. culture, women will be given a corsage to wear vastly more often than men are given boutonnieres.)

Here are some poetic examples of flowers in an inspiring role:  Shakespeare's Juliet, in the balcony scene of Romeo and Juliet, depicted herself as "a beauteous flower."   Alfred, Lord Tennyson connected the physical characteristics of a flower even more explicitly to those of a woman, writing:

"Lightly was her slender nose

Tip-tilted like the petal of a flower."

The 19th-century German writer Heinrich Heine went straight to the point, titling one of his poems "Du Bist Wie eine Blume," which translates to "You are Like a Flower."

I wonder what such poets -- who thought of flowers as being delicate and feminine -- would have thought about a flower from Sumatra that I heard about on the radio. Far from sounding feminine, it was described as being "like a giant finger jutting straight up... eight feet tall and [weighing] 250 pounds."  Nor would a person want to extract the essence of the aroma this flower gave off, because it had a "distinctive rotting-corpse-like odor."  The evolutionary explanation behind that flower (scientific name Titan arum) is that the putrid odor enables it to attract insects who believe they are coming to the carcass of an animal on which they might feed.  The insects flocking to the flower get tricked, while the clever flower gets itself pollinated.

It was not only insects who have been disappointed in the case of this particular flower, which was on display at the U.S. Botanic Garden in Washington, D.C.  Many of the museum-goers who flocked to the flower, hoping to get a whiff of its repellent odor, were disappointed because the colossal flower emitted its odor for only a few hours, and did not have the courtesy to schedule its opening so as to align with the museum's daytime hours.

The finger-shaped Titan arum is not the only tropical Asian flower to have evolved such a trick of deception.  Another species, the Rafflesia arnoldii, has a more typical floral shape, being circular with petaled edges.  But it is similarly oversized (two or three feet in diameter) and also smells like a carcass during part of its blooming period, even if only briefly.

I was not among either the disappointed or the pleased museum-goers at the U.S. Botanic Garden. Nevertheless, I take delight in that news story about the non-stereotypical flower for two reasons.  I take delight first in being reminded again about how evolution, with all its immense variety, has developed a living being that defies our human expectations, particularly our cultural associations.  Secondly, I am pleased to hear that so many people can themselves take delight in an example of biodiversity that we ourselves would not have designed, and might have usually found repulsive.

~~~

Do you have any thoughts about these huge, putrid flowers?

(The Tennyson lines are from "Gareth and Lynette," line 574, in Idylls of the King. 1859-1885.)

(The news story was "Lure of Flower's Putrid Essence Draws Crowd," July 22, 2013. © NPR.)
(Second photo, by Henrik Ishihara Globaljuggler, used under Creative Commons Attribution-Share Alike 3.0 Unported license.)